01
Універсальний промпт
Підходить під будь-що: кава, фарба, пісок, квіти, метелики, вода, конфеті. Скопіюй і заміни те, що в жовтих дужках.
Edit only the phone screen in @Video1. Nothing else in the video changes: the person, her face, body, skin, hair, hands, clothing, pose and movement, the phone's position and orientation, the framing, the lighting and the background all stay exactly as filmed.
The screen is filled with [ЩО САМЕ] matching @Image1: [ОПИС ТЕКСТУРИ].
Remove all glare and reflections from the screen glass. It replaces the glass surface completely — recessed below the bezel with a soft shadow under the inner edge of the bezel, so it reads as a real object inside the phone.
At [ЧАС ПОЧАТКУ] the content on the screen turns into it, and the screen is completely full by [ЧАС ЗАПОВНЕННЯ].
At [ЧАС ДІЇ] [ЩО РОБИТЬ ЛЮДИНА], and it [ЯК ВИХОДИТЬ З ЕКРАНА].
The screen stays completely full until the last frame. It never empties, never shows bare glass, never shows fingerprints and never reflects the room.
Що писати в дужках
- [ЩО САМЕ]
- Речовина англійською: real iced latte, thick white foam, wet green matcha, golden honey, live butterflies.
- [ОПИС ТЕКСТУРИ]
- Колір, густина, поверхня. Наприклад: thick creamy liquid with marbled swirls, ice cubes floating in it, glossy and viscous.
- [ЧАС ПОЧАТКУ]
- Секунда, коли ефект стартує: 00:01.00.
- [ЧАС ЗАПОВНЕННЯ]
- Коли екран уже повний. Дай приблизно секунду після старту: 00:02.10.
- [ЧАС ДІЇ]
- Момент, коли ти нахиляєш телефон або дуєш: 00:02.76.
- [ЩО РОБИТЬ ЛЮДИНА]
- she tilts the phone · she blows toward the phone · she shakes the phone.
- [ЯК ВИХОДИТЬ З ЕКРАНА]
- pours out over the lowest edge in a thick continuous stream as wide as a finger · bursts out of the screen in every direction · flies out of the screen and scatters through the air.
02
Айс-лате
Кава з кубиками льоду виливається через край телефона. Екран не порожніє — так не оголюється скло з відбитками пальців.
Edit only the phone screen in @Video1. Nothing else in the video changes: her hands, her body, the phone's position and its horizontal orientation, the framing, the lighting and the background all stay exactly as filmed.
The screen is filled with real iced latte matching @Image1. Thick creamy latte with a natural marbled texture: warm colour from pale milky cream to deep espresso brown, soft cloudy swirls, darker areas blending into lighter milky ones, and solid ice cubes floating in it with sharp edges and real thickness. Viscous and glossy, with realistic depth and surface tension. Never flat, never like paint or gel.
Remove all glare and reflections from the screen glass. The latte replaces the glass surface completely — recessed below the bezel with a soft shadow under the inner edge of the bezel, and the ice cubes cast shadows down onto the liquid.
At 00:01.00 the text on the screen sinks into the latte and mixes into it. The letters soften, stretch and swirl through the coffee like latte art being stirred, breaking into curling ribbons that fold into the marbling. The screen is completely full by 00:02.10.
At 00:02.76 she tilts the phone and latte pours out over the lowest edge in a thick continuous stream about as wide as a finger, with ice cubes tumbling over the edge and falling out of frame.
The screen stays completely full until the last frame. It never empties, never shows bare glass and never reflects the room.
03
Матча
Густа зелена матча з молочними розводами. Той самий принцип, що й з лате — екран лишається повним.
Edit only the phone screen in @Video1. Nothing else in the video changes: her hands, her body, the phone's position and orientation, the framing, the lighting and the background all stay exactly as filmed.
The screen is filled with thick freshly whisked matcha matching @Image1: rich natural green with soft cloudy marbling, darker concentrated green swirling through lighter milky green, a fine layer of foam on top, creamy and slightly viscous with realistic depth and surface tension. Never like paint, slime, gel or glowing liquid.
Remove all glare and reflections from the screen glass. The matcha replaces the glass surface completely — recessed below the bezel with a soft shadow under the inner edge of the bezel.
At 00:01.00 the text on the screen sinks into the matcha and mixes into it. The letters soften and swirl through the liquid, breaking into green ribbons that fold into the marbling. The screen is completely full by 00:01.82.
At 00:02.20 she tilts the phone and matcha pours out over the lowest edge in a thick continuous stream about as wide as a finger, with small droplets where it breaks.
The screen stays completely full until the last frame. It never empties, never shows bare glass and never reflects the room.
04
Бульбашкова піна
Дуєш у бік телефона — і з екрана вилітає густа піна з бульбашками. Тут ефект виходить за межі екрана, тож кадр стежити складніше.
Edit @Video1. At 00:00.42, as she blows toward the phone, thick white foam bursts out of the phone screen and the content on the screen disappears at the same moment.
The foam is dense wet white bath foam like @Image1 — hundreds of overlapping round bubbles of different sizes, each with a visible outline and a bright specular highlight. Mixed into it and floating free around it are individual transparent soap bubbles with rainbow iridescence, the kind children blow, drifting slowly through the air. Not smoke, not fog, not mist, not clouds, not snow.
The foam expands fast in every direction and fills the frame by 00:01.40, from foreground to background, with the largest bubbles nearest the camera.
From 00:01.40 to the last frame the foam stays suspended in mid-air at constant volume. It does not fall, shrink or dissolve. Foam passes around and in front of her without covering her face.
Her face, body, clothing, hands, the phone, the background, the lighting and the camera movement in @Video1 stay exactly as they are.
05
Стрази переходять на шкіру
Проводиш телефоном по шкірі — і камінці лишаються там, де він щойно пройшов. Тайм-кодів немає навмисно: модель бере тайминг з руху руки.
Edit @Video1. As the phone moves across her skin, rhinestones appear on the skin in its wake — the phone passes over a patch of skin, and as it moves on and uncovers that patch, the stones are already sitting there.
The stones never appear ahead of the phone. They only appear behind it, revealed as the phone moves away, and they keep appearing for as long as the phone keeps moving.
They match @Image1 — same size, shape, colour, cut and density as the rhinestones on the phone. Faceted glass stones with hard specular glints that flash as the light angle changes. They stay stuck to her skin, follow the curve of her body and move with her.
By the last frame the whole path the phone traced is covered. No rhinestones anywhere the phone did not pass, none floating in the air.
Everything else in @Video1 stays exactly as it is.
